Dragonfly Watercolors

I'm in this one! Always an inspiration, this series is filled with the work of wonderful contemporary artists.

Good basic color theory. Lots of good ideas and practical applications. For me, you can never have enough information about color, and this is a basic. If you like this, you might also be interested in Stephen Quiller's books on color.

I don't usually do exercises from a book, but this one is fun, challenging, and really gets you out of the box. You may not want to do all the exercises; I didn't. I picked the ones that looked achievable and challenging without making a big deal out of it. It was freeing. I come back to it occasionally, and do a new one. A definite must have for grey days.

If you are looking to simplify your painting, this is a book to inspire. Matisse's genius is getting rid of the detail, and this book is a quick, fun source. Although his paintings are more detailed and colorful, I found this little paperback to nudge me every time my painting gets "tight".

I am a great fan of Dan Burt's paintings. Having seen them in person, a book can't really show the vibrancy and energy of his work. In spite of that, this book gives the reader a real insight to his talent and technique.

While this book isn't necesarily for watercolorists, it is certainly insightful about skin and color. I found it translates easily to many media. It is a good springboard for novices, and also helpful to intermediate painters. I lend it to my students more than any book in my library.

This was my first book on different textures and technique. While Ms. Johnson's style is nothing like mine, I will be forever grateful for her compilation. The techniques are simple, basic, and easy to understand. I have friends who copied the techniques in a sketchbook from front to back, and swear by it. Granted, it's a primer, but it's a great way to get started!

I continually bring this book back to my drawing table. While the focus of the book uses more mask than I ever do, the techniques on pouring, design, and form are very worthwhile. Like any book on technique, you have to be selective on what you get out of it. For me, this one offers a lot, and helps my paintings stay unmuddied.

This is the book to help you think out of the box. It's a book to learn to think. It's not easy to come by, so if you find a copy, snatch it up!

This is an encyclopedia of plant forms. Done in fine drawings, you will find reference to common as well as exotic leaves, berries, fruit, etc. Each page is a new inspiration. Need to know what an acanthus leaf looks like? This is your book.

Want to know what a wrought iron fence looks like? A grecian urn? a carved sconce? How about flowing ribbons? Medallions? This book has it all, and more! I have had it for 30 years, and continue to use it as a reference. The book itself is a compilation of technical drawings on every page of items you need to find, and some you never knew existed. It provides, it inspires. A cool book. Thanks, Mr. Meyer.

I'm very excited to have contributed to this fine instructive book, which received 5 stars when reviewed by Amazon. Robin covers many critical areas of instruction and technique. Well worth the price.